Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Before the race oil painting


Before the race
mk206 1882 Oil on canvas 30.5x47.6cm
Painting ID::  49939 		Edgar Degas
Before the race
mk206 1882 Oil on canvas 30.5x47.6cm
   
   
     
Edgar Degas dancer wearing shoes oil painting


dancer wearing shoes
mk206 1880-1885 Oil on canvas
Painting ID::  49940 		Edgar Degas
dancer wearing shoes
mk206 1880-1885 Oil on canvas
   
   
     
Edgar Degas dancer wearing shoes oil painting


dancer wearing shoes
mk206 1882-1885 Oil on canvas
Painting ID::  49941 		Edgar Degas
dancer wearing shoes
mk206 1882-1885 Oil on canvas
   
   
     
Edgar Degas Before the race oil painting


Before the race
mk206 1882 Oil on canvas 26.5x34.9cm
Painting ID::  49942 		Edgar Degas
Before the race
mk206 1882 Oil on canvas 26.5x34.9cm
   
   
     
Edgar Degas Reinsman before race oil painting


Reinsman before race
mk206 1878-1880 Oil on canvas 107.3x70.3cm
Painting ID::  49943 		Edgar Degas
Reinsman before race
mk206 1878-1880 Oil on canvas 107.3x70.3cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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